Seven Thousand Gallons

Somewhere between the place where a thing is made and the place where it is needed, its value can change beyond recognition.

Calcutta, November 1796. The Hooghly smelt of wet earth, fish, tar and rotting timber, its brown waters shouldering past the ghats beneath a sky heavy with rain. Boatmen called to one another across the river, porters staggered beneath bales of cotton, and bullock carts groaned through the mud while gulls wheeled above the warehouses, crying as though they too had a share in the commerce of men. At the water’s edge, where the city’s clamour mingled with the slap of oars and the creaking of moored vessels, Nabin Chandra Dutta stood beside a mountain of wooden casks and watched the men roll them towards a ship bound for a country he had never seen. Each cask bore a mark, each mark corresponded to a figure, and every figure had to be entered in his ledger. Seven thousand gallons of spirits, mostly rum distilled from molasses, were about to leave Bengal for the distant settlement of Port Jackson. Nabin had spent the morning adding the columns twice, unable to shake the feeling that no ordinary cargo could demand such extraordinary attention.

At twenty-two, he was an apprentice accountant in the trading house of Campbell and Clark, where men spoke of distant ports as though they were rooms in a single mansion and the oceans merely inconvenient corridors between them. His father, a modest clerk who had spent his life among papers and ink, had taught him that a ledger was a record of promises as much as possessions. A merchant might forget a face, he used to say, but a properly kept account would remember what a man owed. Nabin believed him. He believed, too, that numbers were honest, though the men who employed them were not always so. Yet he could not understand why the firm was sending so much rum across the sea. Rice could feed a settlement, cloth could cover its inhabitants, and tools could build houses, but what use could anyone have for thousands of gallons of liquor? When he put the question to William Clark, the company’s supercargo, the Englishman regarded him with an amused expression.

“You are thinking like a shopkeeper, Dutta. Think instead like a man who has found a place where everyone wants something and almost nobody has the means to pay for it.” Clark tapped one of the casks with his cane. In New South Wales, he explained, money was scarce. The settlement depended upon imported supplies, and the people who laboured there needed food, clothing, tools and other necessities. Rum could fill the gap left by coins. A measure might pay for a day’s work; a cask might settle a debt or secure a favour. The liquor would not merely be consumed. It would circulate, changing hands as payment, reward and inducement. “Here,” Clark said, “it is a cargo. There, it may become a fortune.” Nabin looked at the dark staves, their seams sealed against the ocean, and wondered how a drink could acquire the authority of money merely by crossing the water.

The ship waiting for them was the Sydney Cove, originally built in Bengal and once known as the Begum Shaw. Her hull had been fashioned for these waters, but she was now being sent towards the southern oceans with a speculative cargo and a crew of fifty-three, most of them Indian sailors whom the British called lascars. Sacks of rice and sugar, tea, tobacco, salted meat, textiles, soap, candles and other goods were carried aboard with the spirits. There were things for household use and things for trade, objects of comfort and objects of necessity, all packed into the same dark hold as though the world could be reduced to a single inventory.

Among the sailors was Karim Ali, a wiry man from the Bengal delta whose hands were scarred by rope and whose grin appeared even when the rain came sideways. Nabin first spoke to him when a cask broke loose from its tackle and Karim caught its rolling weight against his hip before it crushed another sailor’s foot. He laughed at the clerk’s alarm, then helped Nabin recover the scattered tally sheets.

Karim’s home lay beside a narrow creek where the monsoon sometimes swallowed the paddy fields and left the village paths under brown water. His mother lived alone in a small house whose roof leaked whenever the rain grew persistent. He had signed on because the wages from a voyage to Australia might buy enough timber and tiles to repair it. He spoke of this modest ambition with the gravity of a man planning a kingdom. Nabin, who had never travelled farther than the familiar roads beyond Calcutta, asked whether the sea frightened him. Karim glanced towards the river, where the ship’s masts trembled against the pale sky. “The sea does not frighten me as much as the things men ask it to carry,” he replied. “A man can understand a sack of rice. He can understand a roof. But a merchant sends a thousand things into the world and thinks only of what they will bring him back.” Nabin remembered the words long after the Sydney Cove slipped from her moorings on 10 November 1796, and the familiar banks of Bengal began to recede behind the ship’s wake.

At first the voyage seemed almost gentle. The wind filled the sails, the sun gilded the water, and the men settled into the routines of watch, meal and labour. The hold breathed the cloying scent of rum, sugar and salted provisions, while above deck the rigging sang in the wind. Nabin tried to keep his papers dry and his accounts orderly, but the ship’s movements soon made a mockery of neat columns. The farther south they travelled, the less forgiving the weather became. Clouds gathered in mountainous banks, rain hammered the deck, and waves rose against the hull with the violence of thrown masonry. The ship rolled until men were hurled against beams and barrels shifted in their lashings. One day, in the midst of a savage gale, the second mate disappeared overboard. A cry rose from the deck, a rope was flung into the foam, and then the sea closed over him. There was no time to grieve properly. The vessel had to be kept moving, the sails tended, the pumps worked, and the living saved from the fate that had taken the dead.

Then water began forcing its way into the hull. At first the leak seemed manageable, but soon the pumps demanded ceaseless labour. Men bent over the handles until their shoulders burned and their hands blistered, drawing water that appeared to rise faster than they could expel it. The air below decks grew foul and damp. Cargo shifted with hollow thuds, and every groan of the timber sounded like a warning from the ship herself. Nabin abandoned his ledger and joined the men carrying buckets, stumbling over slick planks while water swirled around his ankles. Karim worked beside him, his face grey with exhaustion, his shirt clinging to his back. More than once, Nabin saw him falter, then straighten when another man needed help. The casks that had promised wealth in Port Jackson were now a perilous weight in the belly of the vessel. No merchant’s estimate had included the price of the hands required to keep them afloat.

On 9 February 1797, after weeks of hardship, the battered Sydney Cove approached Preservation Island in the Furneaux Group, off the coast of Van Diemen’s Land. The ship struck shallow ground and settled, her damaged hull no longer able to bear the strain of the voyage. For a moment, amid the crash of timber and the shouts of men, Nabin thought the sea had finally claimed them. Yet the vessel did not disappear beneath the waves. The survivors scrambled ashore, bruised, salt-stiffened and half-starved, finding themselves on a desolate island of sandy soil, scrub and wind-scoured rocks. The air carried the sharp smell of kelp, and the sea broke ceaselessly against the shore. There was no village, no harbour, no familiar human voice beyond those of their own exhausted company. Their survival depended on whatever they could rescue before the wreck broke apart.

The work began at once. Men waded through cold water, dragged provisions ashore and carried salvaged goods over uneven ground. Food and shelter came first, but the rum was also recovered and ferried to a nearby island, where the casks could be kept beyond the reach of those who might consume or pilfer them. That island would come to be known as Rum Island. Nabin watched men who had cursed the spirits during the voyage now guard the casks with fierce determination. They were not foolish to value them. The cargo represented wages, investment and the possibility of a return to ordinary life. Yet it seemed strange to him that the liquor should command such vigilance when the island offered no market in which to sell it, no shop where it might purchase a blanket, and no coin with which to buy passage home. On Preservation Island, a mouthful of fresh water could be worth more than a barrel of rum, and a dry place to sleep more precious than the whole cargo.

William Clark did not abandon the hope of reaching Port Jackson. If help could be summoned, the survivors might yet be rescued and the cargo brought to market. A longboat was prepared, and seventeen men were chosen for the dangerous journey, including Clark and several of the fittest lascars. Karim was among them. Before the boat departed, he found Nabin beside the salvaged provisions and pressed into his hand a small scrap of cloth on which he had written his mother’s name and the name of their village. The letters were uneven, but Nabin could read them. “If you return to Bengal before I do,” Karim said, “tell her I have not forgotten the roof.” Nabin closed his fingers around the cloth. He wanted to promise that they would both return, but the sea stretched between them, dark and immense, and he had learnt enough to distrust easy assurances. Instead, he told Karim that his mother would hear from him. The sailor smiled, gripped his shoulder, and climbed into the boat.

The longboat set out on 27 February. Those left behind watched it shrink against the restless water until it became no more than a dark fleck between sea and sky. The journey proved almost as cruel as the wreck itself. After days at sea, a storm drove the boat ashore at Ninety Mile Beach, wrecking it and destroying much of the party’s provisions. The survivors were forced to continue on foot through unfamiliar country, following the coast towards Port Jackson. Rivers had to be crossed, hunger endured, and shelter improvised wherever the land offered a little protection. The journey stretched into weeks. Men who had survived the shipwreck succumbed to fatigue, exposure and want. When the survivors finally reached Port Jackson in May, only three of the seventeen remained: William Clark, the sailor John Bennet, and one unnamed Indian lascar. Karim was not among those whose names entered the accounts. Whether he had died along the shore or somewhere beyond the reach of the written record, Nabin could not know.

The news reached Preservation Island with a rescue party sent from the settlement. For Nabin, relief came tangled with grief. The men who had been waiting on the island were taken aboard, and the survivors of the Sydney Cove were carried towards the colony they had crossed an ocean to reach. In Port Jackson, Nabin saw the other face of the rum trade. The settlement was hungry for supplies, and the recovered cargo could fetch extraordinary prices. A cask of spirits might be exchanged for provisions, labour or influence. The value did not reside in the liquor alone, but in the shortage that surrounded it and the power it gave its owner over those who needed it. In time, the trade in rum would become so entangled with authority in New South Wales that the colony’s military corps would earn the name of the Rum Corps, and conflict over control of the spirits trade would culminate in the Rum Rebellion of 1808. Nabin did not know that future. He knew only that the casks had survived a wreck, men had died trying to save them, and the settlement awaited them as though they were treasure.

When Nabin eventually returned to Bengal, the Hooghly was still brown with silt, the air still heavy with fish and rain, and the warehouses still crowded with goods waiting to be sent across the world. His mother’s hair had silvered while he was away, and her hands trembled as she touched his face, searching for the boy who had departed and the man who had returned. He told her of the voyage, the storm and the island, of the men who had fought the sea and the longboat that had vanished towards the horizon. He did not tell her that the name of Karim’s village remained folded in his pocket, its ink blurred by sweat and salt. Somewhere in the Bengal delta, he imagined a woman listening for footsteps outside a house whose roof still leaked in the rain. Perhaps she had received word of her son. Perhaps she had waited until hope itself became a burden. Nabin could not know, and no ledger could settle what he owed her.

Years later, he would stand beside the Hooghly and watch merchant ships draw away from the ghats, their sails catching the wind as the river carried them towards the sea. He understood now what he had failed to understand in the warehouse: a thing did not possess a single, permanent value. Rum could be a drink in Bengal, a cargo on the ocean, a currency in a distant settlement, and an instrument of power in the hands of those who controlled its supply. But no account had recorded the second mate swallowed by the waves, the exhausted hands at the pumps, or the seventeen men who left the island in a longboat. No column measured the cost of a mother waiting beneath a leaking roof. The river moved past him, carrying the city’s refuse and its reflections towards the vastness beyond, and Nabin thought of seven thousand gallons travelling so far to become money. The world would remember what the cargo earned. He would remember what it had cost.

Seven Thousand Gallons was inspired by the fascinating historical account in Indrajit Roy Choudhury’s blog post, “Bengal Rum: From Drink to Currency That Shaped History”. His exploration of Bengal rum’s extraordinary journey from a distilled spirit to a medium of exchange in colonial Australia sparked my imagination and led me to the ill-fated voyage of the Sydney Cove, which sailed from Calcutta in November 1796 carrying approximately seven thousand gallons of spirits, mostly rum, before being wrecked off the coast of Van Diemen’s Land in February 1797.

The historical record offers a remarkable tale of maritime disaster, desperate survival, the salvage of cargo and a perilous expedition across unfamiliar terrain. It also reveals how, in a settlement where coin was scarce, rum could acquire a value far beyond its use as a drink, becoming an instrument of commerce, influence and power. I have drawn upon these historical events while introducing fictional characters and imagined personal experiences to bring the human dimensions of the voyage to life. Nabin Chandra Dutta and Karim Ali, their friendship, and the promise that binds them are part of the story’s imaginative fabric, not claims about identifiable historical individuals.

At its heart, this story is about the distance between what the world chooses to measure and what truly matters. A cargo can be counted, insured, salvaged and sold, and its worth entered neatly into a ledger. The lives spent protecting it, the homes left behind, and the promises that may never be fulfilled resist such accounting. My thanks to Indrajit Roy Choudhury for sharing the historical insight that inspired this story and opened a window into a remarkable chapter of Bengal’s maritime past.

No part of this story may be reproduced, distributed, transmitted, stored in a retrieval system, translated, adapted, or reproduced in any form or by any means, including printing, photocopying, recording, scanning, or other electronic or mechanical methods, without the prior written permission of the author, except in the case of brief quotations embodied in critical reviews, academic commentary, and certain other non-commercial uses permitted by applicable copyright law.

This story is published exclusively on StoryNookOnline.com. Any unauthorised reproduction, distribution, translation, adaptation, or publication on any website, social media platform, digital service, printed medium, or artificial intelligence training dataset without the express written consent of the author is strictly prohibited.

For permission requests, send an email to the author at trishikh@gmail.com or get in touch with Trishikh on the CONTACT page of this website.

Trishikh Dasgupta

Adventurer, philosopher, writer, painter, photographer, craftsman, innovator, or just a momentary speck in the universe flickering to leave behind a footprint on the sands of time... READ MORE

52 Comments Add yours

  1. Fascinating story, Trishikh!

    Liked by 3 people

    1. Trishikh's avatar Trishikh says:

      Dear TW, thank you so much! I am delighted that you found the story fascinating. The history behind those seven thousand gallons of rum is remarkable, but what moved me most was the human cost hidden behind the cargo and the promises that no ledger could ever record. I’m so glad the story resonated with you!

      Liked by 3 people

      1. You’re very welcome, Trishikh! 😊 It is fascinating and has a fascinating history!

        Liked by 1 person

  2. vermavkv's avatar vermavkv says:

    What a gripping piece of historical fiction! The contrast between the value of goods in different places is fascinating, and the voyage of the Sydney Cove brings the risks of early maritime trade vividly to life. I especially liked Karim’s reflection on the things men ask the sea to carry—it adds a profound human dimension to the story. The suspense builds beautifully, leaving me eager to discover what happens next. Wonderful storytelling! 👏

    Liked by 3 people

    1. Trishikh's avatar Trishikh says:

      Dear Verma’ji, thank you so much for such a thoughtful and perceptive reading! I am especially delighted that Karim’s words about the things men ask the sea to carry struck a chord with you. Beneath the story of rum, commerce and a perilous voyage lies a deeper question about what we choose to value and what we leave unaccounted for. Your appreciation of that human dimension makes sharing this story all the more rewarding. Yes, I too was much satisfied by the way I was able to build the anticipation in the story. Grateful, as always, for your encouragement!

      Liked by 3 people

  3. A compelling blend of historical fiction and economic insight. The story illustrates how scarcity can transform a commodity into currency and a source of power, while exposing the human costs that commercial accounts often overlook. The contrast between the cargo’s measurable worth and the immeasurable value of human life gives the narrative its depth and moral significance. A powerful reminder that history should be understood not only through trade and profit, but also through the lives and sacrifices of those who shaped it.👌

    Liked by 4 people

    1. Trishikh's avatar Trishikh says:

      Dear John, thank you for such a thoughtful and insightful reading. You have captured precisely what I hoped to convey through this story: that behind every figure in a ledger lie human lives, sacrifices and promises that cannot be measured in money. The transformation of rum from a commodity into currency and power provided the historical canvas, but it was the human cost hidden behind that commerce that compelled me to tell the story. I am delighted that its deeper meaning resonated with you. Your generous appreciation means a great deal to me!

      Liked by 3 people

  4. shivatje's avatar shivatje says:

    🙏👍

    Aum Shanti

    Liked by 4 people

    1. Trishikh's avatar Trishikh says:

      Thank you so much.

      Liked by 2 people

  5. SRIKANTH's avatar SRIKANTH says:

    A beautiful and deeply humane piece, Trishikesh. You take a seemingly dry historical fact—rum as currency in early New South Wales—and turn it into a meditation on value, loss, and the human cost hidden behind every ledger. The prose is richly atmospheric, from the Hooghly’s wet-earth smell to the wind-scoured rocks of Preservation Island, and Karim Ali’s quiet ambition for a roof that does not leak will stay with me. What I admire most is how the story refuses to let the cargo remain just cargo: rum becomes drink, money, power, danger, and finally an indictment of what no account can record. A moving, finely wrought narrative.

    Liked by 4 people

    1. Trishikh's avatar Trishikh says:

      Dear Srikanth, thank you for such a beautifully perceptive reading! I am delighted that Karim’s simple longing for a roof that would keep out the rain stayed with you. For me, that humble wish became the human heart of a story about seven thousand gallons of rum, a perilous voyage, and the extraordinary power of commerce to transform the value of things. Yet, beneath all the history and adventure lies the sorrow of what cannot be entered in a ledger: the lives lost, the promises left unfulfilled, and the families waiting on distant shores. Your words reassure me that this deeper meaning has found its way to a reader’s heart. Truly grateful for your generous appreciation!

      Liked by 2 people

  6. Unicorn Dreaming's avatar Unicorn Dreaming says:

    Another great tale.. I learnt about the rum corps at school it was an interesting time.. thank you 😊

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Dear Fiona, thank you so much! It is wonderful that the story brought back memories of what you learnt at school. The Rum Corps is such a fascinating chapter of colonial history, revealing how a humble commodity could become currency, influence, and ultimately a source of political upheaval. I wanted to explore not just the history behind the rum, but also the human lives and sacrifices hidden behind its remarkable journey. I’m delighted you enjoyed the tale!

      Liked by 2 people

  7. Thank you, Trisikh, for turning my post into such a beautiful story! I truly appreciate your wonderful words and creativity. ❤️

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Dear Indrajit, the pleasure is entirely mine! Your fascinating post planted the seed for this story, opening a window into a remarkable chapter of history that I might otherwise never have discovered. I simply followed the trail of those seven thousand gallons and found, beneath the history of rum, commerce and power, a deeply human story waiting to be imagined. Thank you for sharing your research and inspiring me to bring this forgotten voyage to life through fiction. I am truly grateful!

      Liked by 2 people

  8. Thank you so much for creating such a gripping and deeply humane piece of historical fiction! I was completely captivated by the way you took a fascinating historical fact—rum as currency and the perilous voyage of the Sydney Cove—and turned it into such a powerful meditation on commerce, value, and loss.but it’s Karim Ali’s quiet ambition for a roof that doesn’t leak that truly stayed with me. You captured the profound human cost hidden behind the ledgers in a way that is both moving and unforgettable.
    Thank you for sharing your research and for such wonderful storytelling, I am so eager to see what you write next.

    Liked by 1 person

    1. Trishikh's avatar Trishikh says:

      Dear Meeta, thank you so much for such a heartfelt and perceptive response! I am especially touched that Karim Ali’s humble dream of repairing his mother’s leaking roof stayed with you. Amid the vastness of the ocean, the fortunes promised by seven thousand gallons of rum, and the harsh arithmetic of commerce, I wanted that simple human longing to remind us of what truly matters. History may preserve the value of a cargo, but it is often the unrecorded hopes, sacrifices and sorrows of ordinary people that give it a soul. Your generous words and enthusiasm for my writing mean a great deal to me. I hope my next story will offer you another memorable journey!

      Liked by 1 person

  9. Ted Wallenius's avatar shredbobted says:

    A reminder that the value of goods can be more than the lives that tend them, sadly.

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Thank you for capturing the heart of the story so poignantly. Behind every profitable cargo are human hands, lives and sacrifices that rarely find their way into the accounts. Perhaps the greatest tragedy is that while goods can be valued, traded and replaced, a human life cannot. That is the truth I hoped would linger with readers long after the voyage ended.

      Liked by 1 person

  10. So insightful. You personalize history.

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Dear Anna, thank you so much! I have always felt that history becomes truly meaningful when we look beyond dates, events and figures to discover the human lives hidden within them. In Seven Thousand Gallons, I wanted the cargo to tell not just a story of commerce and power, but also of ordinary people, their humble dreams, and the promises that life sometimes leaves unfulfilled. I’m delighted that this human dimension resonated with you!

      Liked by 1 person

  11. CattleCapers's avatar CattleCapers says:

    Nice details. Really brings the story alive.

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Thank you so much! I’m delighted the details brought the story alive for you. I wanted the sights, sounds and hardships of that perilous voyage to feel real, so that behind the historical events and the cargo of seven thousand gallons, readers could glimpse the lives, hopes and sacrifices of the people who endured it.

      Liked by 1 person

    1. Trishikh's avatar Trishikh says:

      Dear Billy, thank you so much! Your generous appreciation means a great deal to me. I’m delighted that this tale of a perilous voyage, seven thousand gallons of rum, and the human lives hidden behind a ledger has struck a chord with you. Truly grateful for your encouragement!

      Liked by 1 person

  12. Your stories always strike a chord with me friend..never stop…

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Dear Billy, thank you, my friend! It means more to me than you know to hear that my stories continue to strike a chord with you. Every story begins with a spark, but it is the connection it finds with a reader that gives it a life of its own. Your encouragement keeps that spark alive and makes me want to keep exploring the countless stories hidden in the folds of history and the complexities of the human heart. I promise I shall keep writing, and I hope the journeys ahead will continue to resonate with you!

      Liked by 2 people

  13. You always make us think. I would have liked History classes a lot more if the instructors could have told the stories the way you do.

    Liked by 3 people

    1. Trishikh's avatar Trishikh says:

      Dear Geoff, thank you so much for this wonderful compliment! I have always believed that history becomes truly alive when we look beyond dates, battles and events to discover the human lives, hopes, follies and sacrifices hidden within them. Facts tell us what happened, but stories help us understand what it meant to those who lived through it. If my writing can make you think a little more deeply about the past, and perhaps see a familiar piece of history through a different lens, then I could ask for no greater reward. Your encouragement means a great deal to me, my friend!

      Liked by 1 person

  14. I just love your page Setup. It fits your stories so well. Classy, clean and well colored.

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Thank you so much! I’m delighted that you like the page’s design. I have always felt that the presentation of a story should complement its spirit, creating the right atmosphere even before the first word is read. I try to keep it elegant and uncluttered, allowing the words and accompanying visuals to work together without distracting from the narrative. It makes me especially happy to know that you feel the design fits my stories so well. Further I have never minitised the site, I have never opted for allowing paid advertisements, which can be a source of revenue, but I do not want to ruin the experience of my readers. Thank you for noticing and for your lovely appreciation!

      Liked by 1 person

  15. moragnoffke's avatar moragnoffke says:

    Dear Trishikh,
    I really enjoyed your story, as always, and you brought home how the value of goods was more important than people. Sadly the system of payment, using alcohol, was used in Cape Town right up until the time I was a child in some farming communities. It wrecked absolute havoc in families and created a great dependency on alcohol.

    But I also enjoyed your story from a selfish angle as I have ancestry that comes from Bengal bay. I know nothing about the place where she came from but In 1674 my matriarchal grandmother came to Cape Town as a slave. So I valued your description of life and the trip in the ship very much. I hope to write about her story as a fictional narrative but I wish I could write as well as you do. Anyway I truly enjoyed your post, thank you 🙏

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Dear Morag, thank you for such a thoughtful and deeply moving response. The fact that the practice of using alcohol as a means of payment continued in some farming communities in Cape Town well into your childhood is both heartbreaking and a sobering reminder of how systems that place the value of goods above human dignity can leave generations of suffering in their wake. The havoc it wreaked on families brings home the human cost of a practice that might otherwise appear in history books as merely an economic arrangement.

      I was particularly touched by what you shared about your matriarchal grandmother. To think that she came to Cape Town from Bengal as a slave in 1674, carrying a story that has travelled through generations to reach you, makes your connection with this narrative profoundly personal. There are so many lives that history has recorded only in fragments, or not recorded at all, and yet their stories deserve to be told. Please do write her story, Morag. Do not let the thought that you must write as well as someone else hold you back. You carry something no other writer can possess: your own connection to her, your questions, your imagination, and the desire to give her a voice. That is where a meaningful story begins. I would be honoured if my writing has encouraged you even a little to undertake that journey. Thank you for sharing such a precious part of your family history with me.

      Liked by 2 people

      1. moragnoffke's avatar moragnoffke says:

        You are welcome, it is precious to share one’s thoughts and journey here, and thank you for your kind encouragement and reminder about writing her story from my voice. Have a good week.

        Liked by 2 people

      2. Trishikh's avatar Trishikh says:

        I wish you all the best. I am sure that you would be able to write it. You can always try for a short story initially under 2,000 words, then later on you can always try for a novel.

        Liked by 2 people

      3. moragnoffke's avatar moragnoffke says:

        Thank you for your advice, I like it. I’m working on a book of short stories covering a number of ancestors. It feels easier to aim for short stories but maybe one of those will grow into a novel like you suggested 😀

        Liked by 2 people

      4. Trishikh's avatar Trishikh says:

        I wish you all the best Morag. The thought and the journey of writing is a big reward in itself, irrespective of whether we are able to fish and print a story in a book format.

        Liked by 2 people

      5. moragnoffke's avatar moragnoffke says:

        Thank you 🙏

        Liked by 2 people

      6. Trishikh's avatar Trishikh says:

        Dear Morag, thank you, my friend. I feel that sharing our thoughts and personal journeys is what makes this little corner of the internet so special. We arrive here through stories, but often discover that the connections we make extend far beyond them. I do hope you will give your grandmother’s story a voice, beginning wherever your heart leads you. It need not be perfect or complete at the outset. Sometimes, all a story needs is someone willing to listen to the echoes of the past and imagine the life behind them. I shall look forward to hearing about your writing journey whenever you feel ready to share it. Wishing you a lovely week too!

        Liked by 2 people

      7. moragnoffke's avatar moragnoffke says:

        Yes we arrive here through stories, so true, connection grows. I feel it’s very important to give my grandmother a voice, and I am very excited about it. It’s been the largest writing project I have embarked on. I appreciate your encouragement very much 🙏

        Liked by 2 people

      8. Trishikh's avatar Trishikh says:

        The experience of researching and writing such a story is a big reward in itself. Keep on doing it do not think about what will happen when you finish it.

        Liked by 2 people

      9. moragnoffke's avatar moragnoffke says:

        Very wise words, thank you 🙏🙏

        Liked by 1 person

  16. Another superb story that goes beyond the historical facts and tells the sad tale of profit being more important than the precious lives lost.

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Thank you so much for such a thoughtful reading! That was precisely the human truth I hoped to bring out through this story. History often remembers the fortunes accumulated, the cargoes traded, and the empires enriched, but the lives sacrificed in pursuit of those profits rarely receive the same attention. I wanted to look beyond the seven thousand gallons of rum and the remarkable history surrounding them to remember the ordinary people whose hopes, struggles and sacrifices were never entered in any ledger. After all, a cargo can be counted and its value calculated, but the worth of a human life can never be measured in money. I’m truly grateful that this deeper message resonated with you!

      Liked by 2 people

  17. joyindestructible's avatar joyindestructible says:

    The human cost of global trade…history so relevant to today…people in the U.S. look at our dependence on foreign goods, our lack of independence in producing the things we need, and our unpayble, astronomic debt, and imagine a future where whisky and bullets will be the currency of the common man. History repeats across cultures as well as time.

    Liked by 2 people

    1. Trishikh's avatar Trishikh says:

      Dear Pamela, thank you for such a thoughtful and striking reflection. You have captured the uncomfortable relevance of this story to our own times. The names of the commodities may change, and the currencies of power may take different forms, but the underlying question remains the same: what happens when a society’s economic ambitions begin to matter more than the lives and dignity of its people?

      In Seven Thousand Gallons, rum becomes far more than a commodity. It becomes a measure of influence, a means of control, and a symbol of a system in which human lives are too easily reduced to figures in a ledger. Your observation about the possibility of whisky and bullets becoming the currency of the common man is particularly chilling, because it reminds us how fragile the structures we take for granted can be.

      Perhaps the most unsettling lesson of history is not simply that it repeats itself, but that we often recognise its warnings only after the damage has begun. Thank you, as always, for reading so deeply and for bringing such a thought-provoking perspective to the conversation.

      Liked by 2 people

  18. MiamiMagus's avatar MiamiMagus says:

    This story broke my heart. Yet I know very well this truth today :

    Money has more value than human life does to the wealthy.

    Liked by 4 people

    1. Trishikh's avatar Trishikh says:

      Dear MM, I know, my friend, and that is what makes this truth so heartbreaking. There is something deeply disturbing about a world in which wealth can acquire greater protection and privilege than human life, and where the suffering of ordinary people becomes an acceptable cost of someone else’s profit. In Seven Thousand Gallons, I wanted to look beyond the cargo, the commerce and the fortunes at stake to remember those whose lives and dreams were treated as expendable. Money can be counted, accumulated and passed down through generations, but the human cost of acquiring it is often forgotten. Perhaps the saddest part is that, despite the centuries separating us from that ill-fated voyage, the question remains painfully relevant today. Thank you for feeling the story so deeply, my friend. Sometimes, a story breaks our hearts because it holds up a mirror to the world we inhabit.

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      1. MiamiMagus's avatar MiamiMagus says:

        Thank you for writing such an amazing story. I had never heard of the Sydney Cove disaster or Rum Island prior to this. It made me interested into reading more about it. Thank you for the Author’s notes. I even clicked on the link by Señor Choudhurry about the event.

        And you saved me time because I wanted to know if those two character were real. I certainly thought so. Didn’t erase the pain inside. Maybe that’s because it is not meant to be erased. It’s meant to teach.

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  19. Kajoli's avatar Kajoli says:

    Trishikh, thank you for introducing me to the history of rum trade through your story and the very appropriate citation of Indranil’s essay. Your portrayal of individuals – the choices before them, their ideals, aspirations and friendships are imbued with extraordinary sensitivity. This story also reminded me of Amitav Ghosh’s Ibis Trilogy.

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    1. Trishikh's avatar Trishikh says:

      Dear Kajoli, thank you for such a generous and perceptive response. I am particularly touched by your appreciation of the human dimensions of the story. The history of the rum trade provided the canvas, but it was the lives caught in its currents, their aspirations, moral choices, friendships and unfulfilled promises, that I wanted to bring into focus. I am delighted that the story also brought Amitav Ghosh’s Ibis Trilogy to your mind. It is a wonderful literary association! In fact, the trilogy has been on my reading bucket list for some time, and your comment has given me another nudge to finally embark on that journey. Thank you once again for reading so thoughtfully and for sharing your reflections. It is readers like you who make the journey of storytelling so rewarding!

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